From the word go, it was trouble. Proper Mitchell-level trouble. He hadn’t even been mentioned to his siblings yet, and already battle-axe granny Lou Beale was fuming, as if she’d caught him nicking the last pork chop from her plate. Forget being born – he was getting grief before he was even a bump! And this was the first episode!

Lou, never one to mince her words (or tolerate nonsense), was adamant that at Arthur Fowler and her daughter Pauline’s “time of life” they were being proper silly having a baby. Pauline had just turned 40, and according to Lou, she was past the prime for that sort of thing – like a Queen Vic pint that had sat out too long. Lou’s word was law, and since the Fowlers and their teenage kids, Michelle and Mark, were already crammed into her house like sardines, they usually just did as they were told. But this time, Pauline finally found her inner Peggy Mitchell and roared back at her domineering mother, announcing that she and Arthur were thrilled about the baby, loved him already, and that Lou would just have to lump it!

With that, apart from a few disgruntled snorts and an eyeroll that could have curdled the milk, Lou begrudgingly left them to it – though secretly, she admired their defiance, their loyalty, and the sheer madness of it all.

And so, in August, Pauline and Arthur marched their little bundle of joy home from the hospital, stopping off to wet the baby’s head in the Queen Vic – because obviously, no life event in Walford is official until it’s been toasted with a questionable pint in the Vic. They were surrounded by family, friends, and most likely at least one awkwardly unresolved feud brewing in the corner.

Nearly forty years later, his wake would be held in the same room. Because if there’s one thing Albert Square teaches you, it’s that life has a way of coming full circle – usually accompanied by a lot of shouting, a slapped face, and at least one stolen pub ashtray.

Played first by Jon Peyton-Price (1985-1986) and then James Alexandrou (1996-2007)

By the time Martin Fowler hit his teenage years, played by the brooding James Alexandrou, life in Albert Square had already dealt him a hand more tragic than a Queen Vic lock-in gone wrong. Dad Arthur had passed away after being falsely imprisoned (classic Walford injustice), sister Michelle had legged it to America, and brother Mark was still up to his elbows in apples on the fruit and veg stall. But Martin? Oh no, he wasn’t about to follow the family tradition of quiet graft. Instead, he did what any self-respecting Walford teen does – he rebelled.

Swaggering around the Square with his mates, Martin was a proper little menace. He teased the girls he fancied (Nicky di Marco got the brunt of it), wound up the lads (poor Asif Malik and Spencer Moon followed him everywhere), and made Sonia’s life a misery with his relentless picking. Skipping school, getting drunk, growing cannabis, and hanging out with the ever-dodgy Ashley Cotton — Martin was ticking off the Walford bad boy checklist faster than you could say “duff duff.”

The more Pauline tightened her grip, the more Martin pushed back, until the inevitable happened. Two tragedies rocked his world and set him on a path he never saw coming. First, there was Ashley Cotton. Martin and Ashley had been running dodgy errands for Ashley’s dad, the infamous Nasty Nick. But Nick, being the absolute wrong’un he was, used Martin as a pawn in his vendetta against Mark. The result? Ashley crashed Mark’s motorbike after Nick tampered with the brakes, and the poor lad didn’t make it. Dot was left heartbroken, and Martin was left reeling.

Then came the fallout from a drunken night of passion with Sonia. Embarrassed, Martin did what any teenage boy in denial might do – he lied, branded Sonia a “slut,” and made her life a misery. When Sonia moved on with Jamie Mitchell, Martin backed off, but jealousy simmered under the surface like a dodgy curry from Beale’s Plaice.

And then came the night that changed everything. Sonia gave birth – nine months after her brief encounter with Martin. The arrival of baby Chloe (later Rebecca) sparked a tug-of-love drama that could only happen in Walford. But Martin’s downward spiral wasn’t over yet. In December 2002, messing about with a car he had no business driving, Martin hit Jamie Mitchell. Jamie later died in hospital, leaving Sonia devastated and Martin facing prison.

After serving six months, Martin returned to the Square a changed man. Gone was the cocky teenager; in his place stood a man shaped by tragedy, guilt, and the harsh lessons of life in Albert Square.

If there’s one thing Martin Fowler’s life has proven, it’s that the women of Albert Square can leave a lasting mark – sometimes on his heart, sometimes on his pride, and occasionally on his face (usually courtesy of one of his wives). The first and most defining woman was, of course, his mother Pauline – whom he both adored and endured in equal measure. She was like a permanent storm cloud over his life, but deep down, Martin knew she only wanted the best for him… even if that meant giving him a proper ear-bashing every five minutes.

Then there was Sonia Jackson. Their first fling was messy enough, but when Jamie Mitchell died, things got even worse. They both blamed Martin, not entirely unfairly, and their friendship went down the drain faster than a pint when Peggy was pulling them. That grief and anger boiled over one night into something unexpected: passion. And before Walford could blink, they’d snuck off and gotten married, leaving Pauline spitting feathers and Dot absolutely buzzing at the romantic drama.

But in true Square style, happiness was short-lived. Fate threw them a curveball when Sonia’s biological daughter, Chloe (later Rebecca), started reappearing after her adoptive parents passed away. It was never going to be smooth sailing – Sonia and Martin were already estranged, and Pauline’s sudden death in 2006 shattered what little trust remained. Sonia left the Square in February 2007, only to be stopped by Martin and Rebecca – the promise of a new life together hanging in the air like a dramatic “duff duff” moment.

That should have been their happy ending. The Julia’s Theme even played them out! But destiny had other plans. Their marriage cracked under the strain of real life – Sonia struggling to juggle nursing, motherhood, and marriage, and Martin wrestling his own demons. They drifted apart, but even in separation, they remained united by their love for Bex.

But the end of Martin and Sonia’s marriage was only the beginning of a new chapter. It wasn’t long before Martin found himself in a passionate, complicated, and, of course, utterly dramatic marriage to…

In 2014, Martin walked back in Walford with a fresh face and a suitcase full of drama! His return wasn’t just a quiet stroll into the Square; it was a proper homecoming, packed with emotional baggage, family feuds, and, of course, a romance so fiery it could set the Queen Vic alight.

James Bye stepping into the role was more than just a recasting – it was a revival. Gone was the moody teen, replaced with a matured Martin who’d seen a thing or two. Whether he was clashing with family, trying to prove himself at the fruit and veg stall, or navigating the chaos of love, his journey under Bye’s portrayal became a heartfelt exploration of what it means to be a Fowler in Walford.

And then came Stacey Slater. Their relationship started with a spark – one of those classic Albert Square combustions where passion and drama collide with full force. Their marriage felt like a proper fairy tale, albeit the East End variety, complete with chaos, shouting, and the occasional near-disaster. Martin stepped up as stepfather to Lily and Arthur, proving that he was more than just the bloke selling apples on the stall – he was a man determined to hold his family together.

But Walford love stories are never smooth sailing. Stacey’s battle with bipolar disorder brought raw, heartbreaking moments, and Martin stood by her side. Yet the pressures of life in the Square started pulling them apart, and before long, the cracks in their marriage widened.

Then came the affair. Max Branning — because, of course, it was Max Branning. With that betrayal, their marriage imploded in true EastEnders fashion, dramatic duff-duff and all. Little Hope was meant to bring them back together, but the damage ran deep. They tried, they fought, they wobbled – until eventually, separation became inevitable.

Yet, no matter how far apart they found themselves, that thread of love still tied them together. Because in Walford, some connections refuse to be severed, even when everything else has gone up in flames.

From the moment Rebecca entered the world in the most EastEnders way possible – unexpected, dramatic, and with plenty of fallout – Martin’s life was never quite the same. Thrust into fatherhood before he could even wrap his head around GCSEs, Martin wasn’t exactly racing to embrace his new role. But despite the awkward starts, the denial, and a fair few poorly chosen words, something shifted. Martin found himself stepping up – slowly, sometimes clumsily, but always with heart.

As Bex grew older, their relationship rode the classic rollercoaster of parenthood. She was no stranger to struggles, battling mental health challenges and bullying that weighed heavy on both of them. Martin, never the most emotionally eloquent bloke, often found himself fumbling through ways to support her. But while words sometimes failed him, his actions spoke volumes. Whether standing by her side, trying (and occasionally failing) to understand her pain, or simply being there when she needed him most, Martin never wavered.

Then came the day every parent both dreads and brags about – Bex leaving for university. Watching her walk away was a proper gut-punch, but Martin couldn’t have been prouder of the fearless, determined young woman she had become. It was a bittersweet moment – a farewell to childhood, a nod to independence, and an unspoken promise that, no matter where she went, Walford and her dad would always be waiting.

Their relationship had its share of missteps and reconciliations, but through it all, one thing remained: love. Because for Martin, Bex wasn’t just his daughter – she was a symbol of everything he’d overcome, everything he’d learned, and everything he’d ever truly cared about.

Martin Fowler’s friendships with Kush Kazemi and Zack Hudson weren’t just pub banter and market stall antics – they were lifelines in the madness of Albert Square. Through thick and thin, tragedy and triumph, these bonds proved that sometimes, you need your mates just as much as your family.

Kush Kazemi was more than just a mate – he was like a brother. Their friendship had everything: the laughs, the loyalty, and the occasional moment of ridiculous decision-making (because, let’s be honest, that’s a Walford staple). Whether they were dodging relationship woes, hyping each other up, or simply putting the world to rights over a pint, Kush and Martin’s bond was one of the most solid friendships the Square had ever seen. So when Kush met his heartbreaking end in 2021, it wasn’t just a loss – it was a gut-punch that left Martin reeling. Walford may have carried on, but Martin never quite shook that void.

Then came Zack Hudson – a fresh face with the kind of easy-going energy that Martin desperately needed. Zack brought humor when things got bleak, perspective when life got messy, and a proper sense of camaraderie that kept Martin grounded. Whether navigating relationship fiascos, family drama, or just the usual chaos of Square life, their friendship was a constant reminder that, even in Walford, there’s always someone to lean on.

Ruby Allen came into Martin Fowler’s life like a breath of fresh air – or, rather, a well-timed distraction from the wreckage of his marriage to Stacey Slater. At first, their relationship felt like the reset Martin desperately needed – passionate, exciting, and full of promise. But, as is tradition in Albert Square, happiness comes with a ticking time bomb.

Things escalated quickly, with fiery rows and romantic highs keeping the Square buzzing. When she was arrested, he watched her leave and hoped never to see her again! Then came the twist worthy of a Queen Vic lock-in — Ruby’s pregnancy and the arrival of their son, Roman Fowler. For Martin, becoming a father again was a defining moment. He threw himself into the role with the same devotion he’d shown to Bex, determined to do right by his son.

But love in Walford is rarely straightforward. Ruby’s insecurities and manipulative streak slowly chipped away at their relationship. The cracks turned into chasms as Ruby’s need for control and Martin’s growing frustration collided spectacularly. Despite the chaos, Martin refused to let Roman become another casualty of failed relationships, standing firm as a devoted father even when things between him and Ruby began to fall apart.

Ruby’s time in Martin’s life was anything but forgettable – she challenged him, changed him, and, for better or worse, forced him to confront what truly mattered. But, as any EastEnders fan knows, heartbreak never means the end – it’s just the start of another dramatic chapter.

If Martin Fowler’s life was defined by love, loyalty, and resilience, his final moments cemented him as one of Walford’s true heroes. His untimely death in the Queen Vic explosion will go down as one of the Square’s most heartbreaking farewells, leaving viewers reeling and characters devastated.

Trapped under the wreckage, Martin’s last thoughts were of Stacey – his great love, his constant source of turmoil and joy, and the one person who had been there through every high and low. That final confession of undying love, his last wish for a future together, was the kind of emotional gut-punch that EastEnders thrives on. And just like that, a dream cruelly snatched away by fate.

The fallout from Martin’s death would send shockwaves through the Square, as residents rallied together in grief. Stacey’s anguished cries would be felt in every corner of Walford, her heartbreak echoed by friends, family, and even those who had once clashed with Martin. With Bex returning home to say her goodbyes and Vicki Fowler making her first appearance in twenty years, the funeral would be a deeply emotional affair – a true reflection of the life Martin led and the love he left behind.

But while Walford must carry on, the void Martin leaves behind will not be easily filled. His story – one of sacrifice, devotion, and resilience – will remain etched in the Square’s history, a reminder that even in the midst of all the drama, there are heroes among them.

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